Photography

Everytime when I leave
Uncertain relationship
The number of times he rolled out the blankets for me.
The Gaze
Going to the Street
Supermarket
Summer
Books

Windows
Wandering mind

One month
Dusk
Installation

Wistful
Festival
 Marriage Scene(Piece 1)
 Spring Festival (Chinese New Year)(Piece2)
 The Dragon Boat Festival (5th day of the 5th lunar month)(Piece3)
 The Mid-Autumn Festival(Piece4)
Manufacturing process
Animation

Black Sugar Twist-Single
Rolling Lawn
Here is your a glass of wine
Yangzhou lanterns(Group Project)
Videos

Mirror

Painting                         Quick Sketch                     Drawing        
By the Window                                                    
Shanghai Old Houses
Rooftop
We Made a Beautiful Bouquet
Hops and a Plate of Snakes
Red Bean Popsicle
Untitled
Menstrual Ring
Siamese Cat Boyfriend Character Design
Afro Girl Character Design
Girl’s Three-View Drawing

Coloring

Rainy Night
Cello
Japanese kimono
Study Copy
Study Copy 2
Study Copy 3
Sculpture

Untitled
Untitled 2
Polaris
Theater Space
Soundwork

Silverwood Park
Hungarian Dance Symphony Visualisation Video
Commercial work


SAIC-GM-Wuling Automobile Wuling Hongguang Mini EV modification diagram
Icon design
Client Illustration 1
Client Illustration 2

Portrait/Event Photography
Product Photography
Food Photography
Exhibition Photography
Theater Photography
Exhibition

Wandering Mind

Negative Space: place, text, and passage

One month

Everytime when l leave

Design Drawing,Decorative Color Course Exhibition
Photography

Portrait Photography (2016-2024)




Nanjing images



Title: Everytime when I leave
Medium: Photography, Installation
Date: November 11, 2023
Dimensions: 5328x4000 pixels
Material: Blocks
Camera: LUMIX S5IIX
Post-Production Software: Adobe Photoshop, Adobe Lightroom
Location: Nanjing,Jiangsu,China.



Title:  Uncertain relationship
Medium: Photography, Installation
Date: November , 2023
Camera: LUMIX S5IIX
Post-Production Software: Adobe Photoshop, Adobe Lightroom
Location: Nanjing,Jiangsu,China.

This set of photos was taken in honor of a two year long uncertain relationship. The shoot was short, just one afternoon. But that afternoon I had a feeling that the relationship was dead forever, that maybe we would see each other again, but never again in our present capacity. With that in mind I photographed almost all the edges of his house that held memories for me.

A lot has happened in the past two years, and amazingly, nothing in the layout or items in the house has changed much. The chair that held the fruits the first time I went to his house is still in its original place. The biggest change may be that next year he will be moving, the owner of this house will be someone else, and many things may be sold and thrown away.

Before I officially took the picture with my camera, I took a dozen or so pictures of the bookshelf from the same angle with my cell phone off and on over the course of two years, before each time I left his house. I never knew why I was doing this until I came across the photos in Araki Keio's book Sentimental Journey. On the road Araki would pass on his way home from the hospital to take care of Yoko, he would take a picture of a little girl with a similar composition. And then Yoko really died that year. I realized in that moment - I always felt that every time we met was the last time we would see each other. So while we still had the chance to meet, I was emotionally uncertain, and so taking the picture became an act born of subconscious panic about uncertainty. In knowing this, objects are imbued with emotions of disenchantment and attachment. So I decided to bring out this emotion with my all-time favorite photography, and it finally went from an uncertain flow of emotion to a definitive end, where time froze.

I don't know what a photo like this would mean to someone else, but it does contain a lot of emotion, intertwined with sex, adult attachment, emotional needs, and many other life topics.

The objective reason for the absence of people in this set of photos is that I was really the only one that afternoon, and the subjective reason is that I think this is the best presentation of my relationship with him. Because of course I could have taken a selfie but I didn't do that.

I realized that almost no one around me openly discusses this kind of Friend with benefits ( FWB as the name suggests refers to those who are “friends with mutual benefits”, a kind of friendship with a sexual relationship.) ), yet it does exist for many people. a 2020 survey by North Division University, included over 8000+ participants, of which around 45%, said that FWB behavior is acceptable.

And in real life, even though people have become more open-minded and feminism is growing, the relationship is still shamed. It most likely exists only on the internet or in whispered gossip among girlfriends.


这组照片是为了纪念一段长达两年的不确定关系而拍的。拍摄的时间很短,只有一个下午。但就在那个下午我预感到这段关系永远死掉了,或许我们还会见面,但再也不会是以现在的身份。抱着这种心情我拍下了他家几乎所有具有我回忆的边边角角。
这两年发生了很多事,神奇的是,房子里的布局和物品都没有什么太大变化。第一次去他家时放水果的椅子还好好地待在原来的位置。最大的变化可能是明年他就要搬家了,这个房子的主人会变成别人,许多东西也许会被出售和扔掉。

在正式用相机拍之前,我在两年间断断续续用手机拍下了十几张同一角度的书架照片,时间是在每次离开他家之前。我一直不知道为什么我要这么做,直到看到荒木经惟的书《感伤之旅》里的照片。在荒木每次从医院照顾完阳子回家时候必经的路,他都会拍一张相似构图的小女孩画像。后来阳子真的在那一年去世了。那一瞬间我明白了——我始终觉得每次见面都是我们最后一次见面。所以在我们仍有机会见面时,我的情感上却是不确定的,于是拍照就变成了一个潜意识里对不确定性的恐慌而产生的行为。在知道了这点后,物品被赋予了不舍与依恋的情感。所以,我决定用自己一直喜欢的摄影把这种情感表现出来,它终于从一种不确定的情感流动变成了确定的结束,时间就此凝固。
我不知道这样的照片对别人来说有什么意义,但它的确包含了很多感情,夹杂了性、成人依恋、情感需求等诸多人生课题。
这组照片里没有人的出现,客观原因是那个下午确实只有我一个人,主观原因是我认为这就是我与他关系的最好呈现。因为我当然也可以自拍但我没有那么做。

我发现在我的身边几乎没人公开讨论这种Friend with benefits ( FWB顾名思义指那些「互惠互利的朋友」,是一種帶有性关系的友誼。)的关系,但它又的确存在于许多人身上。2020年北师大的一项调查,包括8000+多名参与者,其中有45%左右的人,表示可以接受FWB行为。
而在现实生活里,即便人们的观念已经比较开放,女性主义也在不断发展,但这种关系仍然是羞于启齿的。它很有可能只存在于网络或者是闺蜜间的小声八卦里。



Title: The number of times he rolled out the blankets for me.
Medium: Photography
Date: November, 2023
Camera: LUMIX S5IIX
Post-Production Software: Adobe Photoshop, Adobe Lightroom
Location: Nanjing,Jiangsu,China.






Title: The Gaze
Medium: Photography
Date: November 15 ,2023
Photo Source: Internet
Post-Production Software: Adobe Photoshop, Adobe Lightroom
Location: Nanjing,Jiangsu,China

I didn't actually take these photos, but I downloaded them from the school's official publicity platform and post-processed them.
I searched for "canteen" and got these very similar photos. I didn't filter them, so I can say that there is no difference between them.
These photos were taken in 2015-2023. Times have changed a lot, but the way we treat others has hardly changed. A friend of mine once told me that he felt that Chinese people are very cold by nature, that they only care about their family and friends, but not about strangers, or people in the service industry. People often lament the rapid development and convenience of life in China, but in my opinion, this is basically based on our very cheap labour.
The canteen staff as people we basically meet every day, but we don't know each other's names and we never make small talk. All we did was state our needs. The detachment and indifference that characterises this urban life makes it seem like we see nothing even when we do see each other.

这些照片实际上并不是我拍摄的,而是我从学校官方宣传平台上下载,后期处理而来。
我搜索“食堂”,于是得到了这些非常相似的照片。我也并没有进行筛选,可以说他们本质上并没有什么区别。
这些照片拍摄于2015-2023。时代变了很多,我们对待别人的方式却几乎未曾改变。我有一个朋友曾经对我说:他感觉中国人本质上非常冷漠,人们只关心自己的家人、朋友,却对陌生人,服务业人员漠不关心。常常有人感慨中国发展之迅速,生活之便利,但在我看来,这些基本都是建立在我们十分廉价的劳动力上。
食堂的工作人员作为我们基本上每天都会见的人,但我们却不知道对方的名字,也从不闲聊。我们所做的就只是说明自己的需求而已。这种都市生活特有的疏离与冷漠使得我们即便看见了对方,也像什么都没有看到。




Title: Going to the Street
Medium: Photography
Date: December 13, 2023
Camera: LUMIX S5IIX
Post-Production Software: Adobe Photoshop, Adobe Lightroom
Location: Nanjing,Jiangsu,China

This separation of man from life,of actor from set, is precisely what absurdity feels like.- Albert Camus 
Title: Supermarket
Medium: Photography
Date: September, 2023.
Camera: LUMIX S5IIX
Post-Production Software: Adobe Photoshop, Adobe Lightroom
Location: Nanjing,Jiangsu,China


This work is a record of some of the "small landscapes"I observed in the supermarket, inspired by a chance visit to the supermarket, I saw the decorations in the meat section, this kind of cute and realistic decorations and animal corpses togerther instead of making me feel horrified......From this, I began to observe these things with a more objective point of view, and realized that underneath these landscapes are full of anthropocentrism.
Title: Summer
Medium: Photography
Date: 2023
Dimensions: 990x990 pixels
Camera: iphone xr
Post-Production Software: Adobe Photoshop
Location: Nanjing, Jiangsu, China




Still caring about those little, cute, no one cares, summer moments. The first aspens I met, and the round ice cream balls, the similar yet different images recorded by accidentally touching the camera button on my cell phone.

The mood is always fuzzy and gorgeous, but it's just rarely revealed in the reality of social media.

还是会在意那些小小的,可爱的,无人在意的,夏天的瞬间。遇见的第一只天牛,和圆圆的冰淇淋球,不小心触碰到手机相机键记录下的那些相似又不同的影像。

这种心情总是模糊和绚烂的,只是很少在现实的社媒里袒露。
Title: Windows 窗边
Medium: Photography Book
Page: 26
Date: December 12,2024
Dimensions: 4.25x6 in
Material: watercolor paper,sticker paper white,scarlet 216g,eclipse black 216g,lemon drop 176g,blue 75g,ivory 75g,orchid 75gsm,sulfate paper, transparencies, inked paper
Printer: imagepress,POSCA Acrylic Brush
Binding method: Glue
Camera: Sony a6400
Post-Production Software: Adobe Photoshop, Adobe Lightroom, Adobe Indesign
Location: Minneapolis, Minnesota, U.S.


Title: Wandering mind
Author: Ranran Hu
Medium: Photography Book
Page: 31
Date: October 31, 2024
Dimensions: 8x10.63 in
Material: Color Copy 98, 105g(inside page); Cardstock 300g(book cover)
Printer: ImagePress Color
Camera: Nikon Z7
Post-Production Software: Adobe Photoshop, Adobe Lightroom, Adobe Indesign
Location: Minneapolis, Minnesota, U.S.



All works are registered copyright, imitation will be punished.
所有作品均已注册版权,仿冒必究。
2024